TOPICS 

    Subscribe to our newsletter

     By signing up, you agree to our Terms Of Use.

    FOLLOW US

    • About Us
    • |
    • Contribute
    • |
    • Contact Us
    • |
    • Sitemap
    Han Fanghang
    Film critic
    Han Fanghang is a film critic and freelancer based in Shanghai. He writes about China’s entertainment industries and urban life.
    China’s Box Office Malaise in Four Films
    Dec 24, 2022
    How China Perfected Middlebrow Cinema for Middle-Class Viewers
    Dec 14, 2022
    Why China’s Mashup Musical Memes Are Losing Their Punch
    Dec 23, 2020
    - MOST READ -
    How China Perfected Middlebrow Cinema for Middle-Class Viewers
    Dec 14, 2022
    Why China’s Mashup Musical Memes Are Losing Their Punch
    Dec 23, 2020
    Shorter, Better, Faster: Can Miniseries Rescue the C-Drama?
    Oct 19, 2020
    ‘Lost In Russia’ and the Search for a Chinese Netflix
    Feb 26, 2020
    China’s Box Office Malaise in Four Films
    Dec 24, 2022
    How China Perfected Middlebrow Cinema for Middle-Class Viewers
    Dec 14, 2022
    Why China’s Mashup Musical Memes Are Losing Their Punch
    Dec 23, 2020
    Shorter, Better, Faster: Can Miniseries Rescue the C-Drama?
    Oct 19, 2020
    ‘Lost In Russia’ and the Search for a Chinese Netflix
    Feb 26, 2020
    China’s Box Office Malaise in Four Films
    Dec 24, 2022
    How China Perfected Middlebrow Cinema for Middle-Class Viewers
    Dec 14, 2022
    Why China’s Mashup Musical Memes Are Losing Their Punch
    Dec 23, 2020
    Shorter, Better, Faster: Can Miniseries Rescue the C-Drama?
    Oct 19, 2020
    Shorter, Better, Faster: Can Miniseries Rescue the C-Drama?
    Oct 19, 2020
    ‘Lost In Russia’ and the Search for a Chinese Netflix
    Feb 26, 2020
    How ’90s Kids Are Redrawing the Boundaries of Chinese Animation
    Oct 21, 2019